fsi ) WAYNE CATCHES SHAYLA AND MIC KISSING

fsi ) WAYNE CATCHES SHAYLA AND MIC KISSING

WAYNE CATCHES SHAYLA AND MIC KISSING

A Cinematic Drama Screenplay

EXT. WAYNE’S HOUSE – BACKYARD – LATE AFTERNOON

Golden sunlight spills across a beautiful modern backyard.

Palm leaves sway gently in the warm breeze.

The house stands quiet behind them, its large glass doors reflecting the fading sunlight.

A soft breeze moves through the trees.

The atmosphere feels peaceful.

Almost too peaceful.

SHAYLA stands near the edge of the patio. She looks nervous. Her eyes keep drifting toward the house.

MIC walks toward her from the opposite side of the yard. He slows when he gets close.

For a moment, neither of them speaks. They simply stare at each other.

There is something unspoken between them. Something neither of them has been brave enough to admit.

MIC
Shayla…
SHAYLA
What?
MIC
You know what.

Shayla exhales slowly. She tries to hide the emotions in her face.

SHAYLA
Mic, we shouldn’t be doing this.
MIC
Then why did you come out here?

She looks at him. Silence.

MIC
You could’ve stayed inside.
SHAYLA
I know.
MIC
But you didn’t.

She looks back at him. Their eyes meet. The tension between them becomes impossible to ignore.

Mic reaches for her hand. She hesitates. Then slowly lets him take it.

EXT. WAYNE’S HOUSE – BACKYARD – CONTINUOUS
SHAYLA
What if Wayne comes outside?
MIC
Then we’ll deal with it.
SHAYLA
You don’t understand.
MIC
Then make me understand.

She pulls her hand away.

SHAYLA
Wayne brought you here.
MIC
I know.
SHAYLA
He trusts you.
MIC
I know that too.
SHAYLA
And you’re supposed to be helping him.

Mic looks at her for a long moment.

MIC
I came here because of him.

He pauses. Then looks directly into her eyes.

MIC
But I’m standing here because of you.

Shayla’s expression changes. She doesn’t know what to say.

Mic steps closer.

MIC
Tell me to walk away.

Shayla stays silent.

MIC
Shayla.

She looks into his eyes. Still nothing.

Mic gently reaches toward her face. She doesn’t move away.

Their faces move closer. Closer.

Then—

They kiss.

It starts softly. But the emotions they’ve been holding back quickly take over.

Shayla wraps her arms around Mic. Mic holds her close.

Neither notices the back door opening.

EXT. WAYNE’S HOUSE – BACKYARD – MOMENTS LATER

WAYNE steps outside. He carries his phone in one hand. He is talking to someone on the phone.

Then he stops.

His eyes fall on Shayla and Mic.

His expression instantly changes. The smile disappears from his face. His jaw tightens.

He slowly lowers the phone.

For several seconds, he simply watches.

Shayla and Mic remain completely unaware.

Wayne’s eyes narrow. His anger grows.

He takes a few steps toward them.

WAYNE
Mic!

The sharpness in his voice breaks the moment. Shayla immediately pulls away. Mic turns around.

His face drops when he sees Wayne. Shayla freezes.

Wayne walks toward them.

WAYNE
What the hell is going on?

Mic doesn’t answer. Shayla looks at the ground. Wayne looks between them.

WAYNE
I asked you a question.
MIC
Wayne—
WAYNE
Don’t.

Wayne raises his hand.

WAYNE
Don’t even start.

Mic remains quiet. Wayne steps closer. His eyes stay locked on Mic.

WAYNE
I brought you here because I trusted you.
MIC
I know.
WAYNE
Do you?

Wayne lets out a bitter laugh.

WAYNE
Because from where I’m standing, it doesn’t look like you understand anything.
EXT. WAYNE’S HOUSE – BACKYARD – CONTINUOUS

The tension becomes unbearable.

WAYNE
Do you remember why I brought you here?
MIC
Yeah.
WAYNE
Then answer me.
WAYNE
Why did I bring you here?
MIC
You wanted my help.
WAYNE
Exactly.

Wayne steps closer.

WAYNE
I brought you here because I needed somebody I could count on.
WAYNE
I thought that person was you.
MIC
Wayne, I never meant to disrespect you.
WAYNE
But you did.

Silence.

WAYNE
You knew exactly what you were doing.
MIC
I didn’t plan this.
WAYNE
But you did it.

Mic doesn’t argue.

WAYNE
I brought you here for this?
MIC
No.
WAYNE
Then why?
MIC
Because I have feelings for her.

Wayne stares at him.

WAYNE
Feelings?
WAYNE
You think that makes this okay?
MIC
No.
WAYNE
Then don’t use feelings as an excuse.
EXT. WAYNE’S HOUSE – BACKYARD – MOMENTS LATER

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